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Rajasthan is among the richest states in the country as far
as the field of arts and crafts is concerned. May be it was
a result of the war-like lifestyle of the people of Rajasthan
which sharpened the creative senses, artistic skills and inspired
them to create the most opulent and richest of treasures.
Stone, clay, leather, wood, ivory, lac, glass, brass, silver,
gold and textiles were given the most brilliant forms.
Art flourished in this region as far back as 2nd-1st centuries
BC and continued over the centuries. In Baroli, in the Hadoti
region, presence of several sculptures proves that a regular
art school existed in the 10th century. The cave paintings,
terracotta and other stone sculptures excavated at different
sites corroborate this.
Each period of history saw its own contribution to the thriving
art scene. History of Rajasthan reveals that the kings and
their nobles were patrons of arts and crafts and they encouraged
their craftsmen in activities ranging from wood and marble
carving to weaving, pottery and painting. And art seems to
have been an obsessed with the
inhabitants of this parched landscape. The desire to decorate
their surroundings was very strong. Nothing was overlooked
animals from the regal elephant to the lowly donkey, the great
palaces and the inner chambers of forbidding forts were decorated
with as much attention as were the walls of humble mud huts.
The inhabitants were not too far behind when it came to adorning
themselves and it was not only the women who beautified themselves
the heroic warriors extended equal attention to their clothing
and armour they went into battles with meticulously ornamented
swords and shields. The horses and elephants that took the
warriors to battles received the same care jewelled saddles
and intricate silver howdas were just some of the ornaments
that were used to adorn them.
For women there was infinite variety tie and dye fabrics,
embroidered garments, enamel jewellery inlayed with precious
and semi-precious stones, leather jootis. They put their lives
indoors to very good use by decorating their surroundings
on the walls of their mud-huts were painted geometric designs
as well as simple m s like flowers and birds. Also tile women
folk made intricate patterns Out doors shaped straw and twine
to turn into the most beautiful items.
When the Rajputs came to dominate this region, it was a period
of constant strife. They were almost always in battle with
their neighbouring kingdoms When a kingdom fell and a new
ruler took over, it was time for change paintings depicting
the new ruler’s victory, scenes from the battle and
processions of the victorious march were faithfully reproduced
on the walls and handmade paper. Other than the paintings,
the new rulers also influenced the existing crafts of that
area. Despite their love for the battlefield, the Rajputs
have been patrons of art and also their 350 years of contact
with the Mughals led to a very strong influence on their lives
and arts. Quite a few folk arts received the refinement and
delicacy of the Mughal courts. They borrowed freely from the
Agra and Delhi courts and in some cases, also sent their skilled
craftsmen to adorn the Mughal courts.
Jaipur meenakari is famed for its delicacy and its use of
colours. Pratapgarh and Nathdwara are two other centres which
produce fine quality enamel work.
Jewelery: Rajasthan is rich in jewellery,
each area having its own unique style. Some of the traditional
designs are rakhri, tirnaniyan, bala, bajuband, gajra, gokhru,
jod, etc. Tribal women wear heavy, simply crafted jewellery
and seem to carry the weight (almost up to five kgs) without
much discomfort almost all the time. Men too wear their share
of ornaments in the form of chockers and earrings.
Ivory: The ivory bangles that most Rajasthani
women wear are considered auspicious. Ivory is also inlaid
and shaped into intricate items of great beauty. Miniature
paintings were also executed on ivory.
Lac and Glass: Lac bangles are made in bright
colours and sometimes inlaid with glass. Other decorative
and functional items are also available.
Sandalwood and Wood: Carved wood is presented
in a wide range of objects and is simple and inexpensive.
Stone: Statues on religious themes are carved
all over Rajasthan and in several cities there are still entire
lanes where the stone carvers can be seen giving final touches
to statues or even pillars. Other crafts like blue pottery,
hand block printing, tie and dye, terracotta sculptures, painting
on camel hide, embroidery, cloth painting, carpets, durries,
inlay work on brass and wood are to be found all over Rajasthan.
Home to the tribal with Bhils constituting half of the total
populations Banswara has its name derived from Bans or bamboo
trees, which once grew here in abundance. Maharawal Jamal
Singh founded the erstwhile state. With Udaipur and Chittorgarh,
forming its boundaries, the district presently comprises of
the territories of former Banswara State and the Chieftainship
of Kushalgarh. While the central and western portion of the
district are fertile plains, the scattered ranges of the Aravali
form the eastern region.
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